Silent yet blasphemous, the seven years of interregnum in FILII NIGRANTIUM INFERNALIUM’s career are now over. Belathauzer the Beast is back and with full force. The EP A Queda (The Fall) thus reflects the mastermind’s unholy, unconventional, anti-everything values and opinions, supported by regular live activity and constant presence in the media. Belathauzer turned out to be an incredibly thoughtful interview-partner… but that is hardly a surprise.

BTTG – Mighty greetings, unholy Belathauzer, son of Darkness and other obscure domains. Would you start this train of thoughts by presenting FILII NIGRANTIUM INFERNALIUM to the readers of Back to the Grave? Please comment also on the 7-year-long interregnum FNI went through (reasons, motivation to come back, etc.).

 

Belathauzer – You can find all the information at www.infernalium.com. Why coming back? Well, 7 years of living inside the cave is enough. Now the rage must ride once again, but with power re-poisoned.    

 

 

BTTG – What about the band name? What are these Sons of Infernal Darkness up to?

 

Belathauzer – It’s our name, just as simple as that. Product of my main sources of metal inspiration: VENOM, BATHORY and CELTIC FROST. It’s in Latin because I like it that way. What I am presently has been forged through many hellish fires and underground, cavernous, downearthpit experiences, metaphorically or not. Therefore, it’s not a casual or nice-fitting name, it’s what we are, FUCK!

 

 

BTTG – Now off to A Queda, the reason why this interview came up in the first place. Would you elaborate on its conception, the reasons why you released it via Tenser Productions and mention all relevant information?

 

Belathauzer – A QUEDA 7” picture EP was released by Tenser Productions. It’s a title that synthesises the main theme you can find in every INFERNALIUM lyrics: The Fall. Two songs in it: “Moïra” (fate’s figure in Greek mythology) and “Puta Infernal” (I suppose there’s no need for a translation or explanation… well, yes, it’s an intense amour fou love song, with Lautreamont’s and De Sade’s nuances in it.). Both songs relate in one way or the other, to THE FALL, A QUEDA… I’ll quote a “Moïra”’s verse: “A Queda é a minha ascensão” and “Para mim já não há redenção”. In my own personal mythology (I have a quite mythological view on existence), I feel like I’ve been somehow expulsed from Sodom motherland and wander around. Sin is, in a way, the act of resistance.

 

 

BTTG – Musicwise, it is evident that the playing skills (or their application in the songs for that matter) are significantly better than in earlier recordings. Got tired of playing it raw, should music be secondary to lyrics or how do you 'justify' the present songs?

 

Belathauzer – Well, first of all, I don’t have to justify my art. Any true art is, the way I feel it, unjustifiable: either you like it or you don’t. Thanxxx for the accomplishment; wait for the new material…

About music and lyrics, well, I elaborate the vocal part, considering it an instrument. And I write and re-write constantly the words, since I think of them as poems. Quite in the decadentist and symbolist way.

 

 

BTTG – What have the reactions to A Queda been like so far? Do they mirror the extreme pole-opposition I referred to earlier?

 

Belathauzer – Yes, you’re absolutely right!

 

 

BTTG – FNI drink most significantly from the old school source. What would you point out as the main common points (other than leather & spikes) between FNI and the old Thrash/Black bands? I can see a relation between Puta Infernal (Hell’s Whore) and WASP’s Animal (Fuck Like a Beast)! It might be slightly forced, but it is still an… interesting possibility.

 

Belathauzer – Uh… Bright you are, Morgana! In fact, WASP is one of my favourite bands. We did once Tormentor on stage, years ago. And I also like some KISS albums a lot. And Puta Infernal is a completely Heavy Metal song. 

 

 

BTTG – What do you think your favourite bands would say about your own necrocult FILII NIGRANTIUM INFERNALIUM?

 

Belathauzer – I don’t know, but I don’t mind anyway. What would Quorthon say? [Not much, I suppose, now that he is dead – M]

 

 

BTTG – You constantly utter that ‘modern BM’ is sinking ever lower. Do you know that many bands to say that? For one who is always clinging on to the past, you seem to generalise things ‘a bit’… Were you ever familiar with the broad BM scene?

 

Belathauzer – Yes, and thank you for reminding me of that, honestly, ‘cause I’ll stop with that from this very moment on. Finish, stop it: from now on, I’ll only speak about FILII NIGRANTIUM INFERNALIUM and JUDAS PRIEST, maybe. I was familiar with the scene in the nineties, but as fascist shit increased humongously, I turned my back and my ears as well. EMPEROR, ABSU and maybe DESTRÖYER 666, but I listen mainly to 1st generation Black Metal, Thrash and Heavy.

 

 

BTTG – Now that you are definitely back in active, what image do you have of your return? What image do you project of the current FNI concerts as opposed to the early live performances? How much did FNI (not) change? And by which means do you as a band convey the Dark Message live?

 

Belathauzer – Nothing is definite!! I might be car-rushed next hour… hopefully I will… No.  Just unjoking, there’s still a message of wrath and poisonous heaviness to be delivered to the metal scene by me and my feasting comrades. We’re preparing new songs for… a PURE METAL ATTACK!

 

 

BTTG – Rumour has it that you usually read excerpts of the bible in your rehearsals. How inspirational is it? I suppose you do not use for occupational therapy!

 

Belathauzer – No, we use the Bible as a science-fiction, satanism and hilarity provider. It’s an excellent book, I progressively despise more and more all those who attack the Bible and never read one single word of it. And those who argue that it’s a “book of lies”… Well, to me every book (every language) has a huge compositional presence of lies or at least of “untruths”… And it’s also a good therapy for a headache, since its weight is fit for hitting a head and provoking furthermore pain so you can forget the previous headache.

 

 

BTTG – Why such a fixation for the bible, the holy ghost and christian religion in general? Which main positive and negative aspects would you point at religion in general?

 

Belathauzer – First of all, the Bible is a really nice compilation of books and literary genders. Considering my impossibility to read it in Hebraic or Greek, it’s also quite interesting to compare different versions and to know certain translation traditions that have influenced one or another interpretation of certain passages. I especially like The Genesis, Book of Job, The Leviticus, Psalms, Proverbs… Isaiah is a blast. Lamentations and, certainly, The Apocalypse. Regarding all my previous anti-christian statements, I must now correct one thing: they lacked irony. I really think that The Holy Scriptures are so creative and, in many passages, hilarious, that they are a permanent source of inspiration. It’s the word of GOD, and he should get the Nobel prize once and for all.

Statements like “the Bible is the book of lies” are as childish or as senile as… Stop! My preciouss… I don’t know, where were we? Hell, I could go on with this literary issue, on and on. 

And religion… ha, religion taken in the sheep mode/mood is as fartable as any idiot-mass manifestation: national celebrations, star autographs fan-hunting, etc. etc. etc. etc.

 

 

BTTG – Your interviews/ words are usually a mirror of (the way I see ) the band’s philosophy: thoughtful and prone to two reactions only – love or hate. I would say he who leads to such situations has a merit of his own. Are you anyhow affected by these reactions? Which examples do you quote more often to support this dialogical relation of opposites?

 

Belathauzer – Well, there have always been, since the beginning of FILII NIGRANTIUM INFERNALIUM, enough strong and die-hard support. I can’t recall… My preciousssssss.

 

 

BTTG – In relation to the previous question, your words are sometimes delightfully venomous and so are your comments, especially in concerts. These might be taken seriously, but then again maybe not. Are your cured of the ‘Virus of the Holy Ghost’?

 

Belathauzer – No, in fact I’m totally corrupted by the Holy Ghost enczema, which has penetrated into my very soul, enlightening my darkened path to a fanatic and ultra-orthodox catholic spirit. I hail Yaweh, Satan’s dead and the pre-roman gods are suffering in Jesus Christ’s Purgatory. God should always be taken seriously, especially because He’s European and ancient, and bearded druid alike. God is Halford.

 

 

BTTG – Despite absolutely surrealistic at times, none of your comments goes unnoticed. Take a moment to reflect on the possible inspiration sources for your current philosophy (and that goes for literature, music, rituals, whatever). What inspires you to tread the venomous path of criticism (to established and unestablished values alike)?

 

Belathauzer – Everything inspires me, especially The Marx Brothers and Monty Python. Alice in Wonderland. Poe, Huysmans, Wilde, Laforge. Rabelais. Kubrick. Wagner and Bach. Sigue Sigue Sputnik. No dogmas and no future either. The six hundred and sixty sixth cycle of reincarnations. Carnivorous vegetarianism and sexual debauchery. Pornosuicidal mental onanism. Anarco HEAVY metal.

 

 

BTTG – I do not know it for a fact, but I gather from your words and FNI’s image that you are a pretty interested if not avid reader. What role does reading play in your Un-Life?

 

Belathauzer – A quite important role, in fact.

 

 

BTTG – Unlike many other Black Metal bands, you are entirely anti-patriotism and have referred to FILII’S music as anarcho black metal. Why do you feel patriotism to be a limitation? Just for the arbitrariness of the place one is born in? And the fact that, as with all ideologies, fanaticism tends to blind the (mind’s) eye?

 

Belathauzer – I think that patriotic pride is vain and really circus like. For instance, the flags, the hymns thing…

 

 

BTTG – Now for a small technicality: is it somehow restrictive to answer interviews directly in English? I have noticed that the writing in Portuguese allows you most brilliantly to proffer those sardonic remarks of yours (to the uncouth reader, sometimes out of context). What say you to this? Also, do these decontextualised parts of your interviews relate to the anarcho thing I wrote earlier on?

 

Belathauzer – Yes, It’s no use trying to make sense in a sensible way. Everything appears to me as being grotesque, so I don’t mind talking or sounding grotesque, bizarrely mixing apparently unrelated things. It’s only a matter of realism and objectivity. The obsession regarding coherence seems to me quite vain. But admirable, that’s for sure! And writing in English is easy, especially as badly and baldly as I do. [Now, now… are we having a surge of false modesty here?... – M] Concerning decontextualisation: I’m always decontextualised. This present incarnation is a sort of error. I’ll fix it someday.  

 

 

BTTG – Is FILII NIGRANTIUM INFERNALIUM's status abroad nearly as ... intensive... as it is in Portugal?

 

Belathauzer – I don’t know about that. Sorry!  Brazil rules… Good reactions from Sweden and Deutschland.

 

 

BTTG – While not intending to invade your innermost privacy, I would still like you to outline parts of your vision of «Satan». Do you envisage Him as an entity, a state of mind? What do you hold of organised religion around the concept of «Satan»? If «Satan» means Freedom, then it should not be connected to any sort of organised cult, but to the individual. Do you agree?

 

Belathauzer – Well, now that you mention it, yes, We feel it like an invasion of our hearts and souls. And I really don’t like to speak about Satan, since He’s an appendixxx of God as a major and bigger  (just check this seven hundred and fifty five proof on the existence of Yaweh, on: www.bignaturals.com) entity. And, on the other hand, I could say that “Satan” is a hebraic-rooted substantive, etc. To me, it’s a powerful and ambivalent, rich, poetic and philosophical symbol.  I can’t identify with any church at all, maybe only the Church of the Perfect Square Circle, conducted by the almighty high-priest Mr. Xeper “Never Satisfied”  who, revealing to me the powerful music of CAGE, has really darkened my black soul…

 

BTTG – Thank you for your time and feel free to leave a last message to the readers of Back to the Grave.

 

Belathauzer – Well, you’re certainly welcome! It’s been a pleasure to waYste our time. Excellent ‘zine you have there, keep raging on, Mighty Morgana (M&M… joking!) – “A Queda é a minha Ascensão!”     -   BELATHAUZER

 

 

 

By Morgana - Back To The Grave July 29, 2004

E-Mail Interview

Photos – Filli Nigrantium Infernalium2004

 

BACK TO INTERVIEWS SECTION