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The
German exports to Sweden have once again increased and began where Soulskinner had left. The new baby is
called Made of Flesh and is pretty explosive! But let us read a short
funny anecdote before we get on to Mike's interview. When I received their
promo, at the Rock Fabrik on Friday January 3rd, I was more than
astonished at the sound – but, slightly more than that, I had had quite a few
glasses already. Upon leaving the RoFa, some friends came to me to greet the
morning with a couple more cool beers and listen to the CD. After the first
few notes, someone screamed: “Fuck! Are they Swedes?” Then Back To The Grave -
Hello there Mike. What's up? What have you got to say about my short
anecdote? I'm sure you are also prone to this kind of mistakes, after a few
glasses, haha. Mike Hanus (guitar) - Hello! Yes, I'm quite fine, thanks. As for your story... what can I say? Funny shit!! haha... It could happen to anyone. People who are close to me know very well how fond I am of a couple of beers every now and then at parties or so, sometimes too many – but it's Rock n Roll man! BTTG - You have brought another destroyer
into the world and, as far as I heard, you have taken where you had left with
your last CD, playing it to perfection! Do you agree with me or not? Mike- You are totally right! I also think that Made of Flesh continues
the path left by Soulskinner. The new songs are more straightforward
and the production came out better. I especially like the guitar sound and
this time we have worked really hard for it. The guitars are mega heavy, but
overall – despite a more powerful distortion – more transparent/ clearer. BTTG - What do you talk about in your lyrics? What
does Made of Flesh stand for? Mike - The lyrics once again mirror the typical BTTG - This time, you have once again
recorded at the Swedish Underground. Is this becoming your new homeland as
regards recording or are you considering hitting another studio for the
recording of your next album? Mike - I think we will record our next album at the Studio Underground
again. The atmosphere and the general working environment with the engineers
Pelle & Lasse is simply perfect. First and foremost, the production on Made of Flesh became more powerful,
and as such there is virtually no reason why we should change studio. When
everything is set for hitting the studios for the next album, I’m sure we’ll
record there the follow-up to Made of
Flesh. BTTG - How long did it take recording? What
news from Sweden – what is the scene like at the moment? Mike - This time, we were 3 weeks in the studio. I can say for my own experience that these 3 weeks were well spent – this way, you can dedicate more time to smaller details and correct them. The fine aspects of the album make it somehow perfect. Generally speaking, we had more time, so we could try out and work on all the sounds. You asked about special news from the Swedish scene. Hmmm… I can think of nothing special at the moment, everything is pretty much the same as it was, as far as I know. BTTG - The sound is fatter and clearer than
in the previous CD. The snare has a more natural sound – did you decide not
to use the trigger anymore? Mike - Yes, this time the snare sound came out really good and mainly
not as dominant as in Soulskinner.
The snare was not triggered for the present album. This time, we have made
samples of the original snare sound, so it sounds much more powerful without
losing the natural edge. This turned out to be a really great idea suggested
by our engineer Pelle Saether. Yes, he rocks!! BTTG - What kind of equipment have you used
in studio? Did you take your own material from Germany to Sweden or did you
use the backline? Was there a special guitar sound or is it to remain secret? Mike - No, we have always used our own equipment in every recording we have done so far, including the guitars, amps, effect processors, etc. This time we have even taken our own drum kit along. As for the guitar sound: I’d say it is absolutely no secret. It’s simply become the typical Swedish-Death-Metal guitar sound – which is more or less how we have always recorded the guitars. The sound was recorded as follows: guitars B-tuned, MesaBoogie Rectifier and a Boss Distortion Pedal. Then there were of course a couple of improvements with the studio’s EQs. BTTG - How come have you not included any
cool cover version in the latest CD?
Mike - We did record a cover version this time – of the band THE FOUR
HORSEMEN. The song is called Rockin Is
My Business and came out totally awesome! If you compare it to the
original song, the track has become super heavy and brutal. However, we only
recorded this as a kind of bonus song, should there be an official release
for Japan. We will anyway include it in our website for download in the
future. BTTG - The songs vary from fast to mid-tempo
and some riffs remind me slightly of BOLT THROWER. Would you say it is a
direct result of the new blood in the band? No, it is not a result of the “new blood” in the band. If you pay closer attention to our previous albums, you can notice that such riffs in the BOLT THROWER fashion had been played here and there. BTTG - Please tell us why Stefan left the
band and Oliver has been recruited. It is certainly new for everyone, bearing
in mind the fact that Stefan is one of the founder members and also your
brother.
BTTG - Did Oliver have any previous band
experience and how has he adapted to the band? Is it true that his first gig
with FLESHCRAWL was at Wacken? Mike - Oliver used to play in a couple of Underground bands and
projects. Yes, his first gig with FLESHCRAWL was at Wacken Open Air 2002. It
was absolutely amazing in Wacken and he did his job surprisingly well. We
played a super concert and the fan reactions were astonishing. Wacken
rulezzz!! BTTG - Are there songs written by Oliver in Made of Flesh or did he use riffs of
his own? Mike - There are some riffs in Made
of Flesh written by him. He came up with a few cool parts from the very
beginning. He got along quite well with FLESHCRAWL as far as songwriting
technique is concerned. BTTG - The cover looks pretty great. Who
drew it?
Mike - Uwe Jarling was once again responsible BTTG - What have you got to say to the fact
that some Swedish bands regard you as the main input for music that is
typical of their own country? Mike - I can only grin at that, if it really is as you say. Moreover, it is a kind of compliment – cool indeed! BTTG - What are FLESHCRAWL's plans for the
future?
Mike - Straight after releasing Made
of Flesh we will go on tour with SIX FEET UNDER and CRIMINAL. This time,
it will be a full Metal Blade package. After that, we will be playing single
shows. Moreover, we are already confirmed for the Summer Breeze Festival
2004. There are a couple more shows being prepared, including other
festivals, but there is nothing definite yet. Amongst others, we also want to
play in Greece this year. We have begun contacting the local promoter, but
everything is still pretty much uncertain. We’ll wait and see what the next
months shall bring. BTTG - What are your influences at the
present moment?
Mike - Generally speaking, the good old Swedish Death Metal stuff. But we have been playing it for so long that we try to improve with each new record. It is therefore difficult to say what our direct influences are. It is inevitable to be (partly) influenced by the music we like. BTTG - The holy last words are for you to
utter!
Mike - Thanks for the interview, Mr. Chrisinfect! I hope to meet one or
two readers of your webzine at the next tour… Made of Flesh will kill you! Cheerz!! By Christian Kilian(guitarist in DISINFECT) - Back To The Grave
January 15, 2004 Translation – Morgana 2004 Photos - Fleshcrawl 2004 |